Search Demo: Museum Collection
Explore ElasticPress' search and faceting capabilities with the catalog of the Cooper-Hewitt Museum.
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Chalice Cover (Spain), 17th century
Square, probably top of chalice cover; cloth of silver, with symmetrical design of stylized plant forms and jars at corners and sides, pointing toward center rosette. Coral beads form leaves…
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Chalice Cover (Italy), 16th–17th century
Faded purple ribbed silk ground embroidered in colored silk and metallic thread. Central design shows a cruciform composed of conventionalized flowerheads in profile and S-forms of foliage. Cover design of…
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Chalice Cover (Italy), early 17th century
Formerly a square chalice cover, now cut in half on the diagonal, in linen punto in aria needle lace. Showing the device of the Borghese Family, the Agnus Dei and…
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Border (Democratic Republic of the Congo), late 19th century
Long narrow band made from two shorter pieces stitched together. All natural raffia color, in a creamy tone. Three pattern areas of geometric interlacing of alternating bands of textured pile…
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Border (Democratic Republic of the Congo), late 19th century
Long band composed of three shorter pieces stitched together. All-over embroidery in irregularly interlaced pattern of bands striped in three shades of brown. One selvage present, other long edge cut…
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Border (Democratic Republic of the Congo), late 19th century
Natural, brown, and rust-red strips of plain woven raffia stitched together on long edges, finished with buttonhole embroidery and raffia pompoms.
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Fragment (Democratic Republic of the Congo), late 19th century
Fragment of bark cloth with a center field of alternating black and natural triangles, with borders on two sides of natural color with a single black stripe in the center.
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Overskirt (Democratic Republic of the Congo), late 19th century
Center field of large squares of diamonds and trellis patterns in dark brown and natural pile embroidery. Wide border with interlacing pattern on three sides, edged with buttonhole embroidery in…
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Textile (Democratic Republic of the Congo), late 19th century
Rectangular panel made from two shorter pieces sewn together. Asymetrical abstract design in cream-colored plain weave fabric appliqued onto the same with dark brown raffia in buttonhole stitch. All edges…
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Status Cloth (Democratic Republic of the Congo), late 19th century
Four pieces of woven raffia seamed together down the long sides with buttonhole stitch to form a rectangular panel. Each piece is patterned with irregular geometric forms in tan and…
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