Search Demo: Museum Collection

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  Waistcoat (England), late 18th–early 19th century

  Short waistcoat in reddish-pink satin with small, dark green cut velvet repeating buds in a heart-shaped framework. Printed cotton facing to fronts in multi-colored stripes and white lotus shapes. Undyed…

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  Waistcoat

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  Waistcoat, 18th century

  Man’s coat of white cotton, lined with white linen, with deep cuff ornamentation, all of white quilting with sections of punched work and embroidered French knots. The design is an…

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  Towel End, 18th–19th century

  Towel end made up of three pieces of loosely woven fine cloth with a deep band of embroidery of stylized allover floral design in silver-gilt thread and silk embroidery in…

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  Towel End (Mexico), late 19th century

  Colored glass beads strung onto the extended threads and then knotted into a pattern.

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  Edging (France), 19th century

  Lace band with floss flowers sewn at intervals. Loosely worked undyed silk bobbin lace with a scalloped edge dotted with single flowers and a few small knotted tassels of polychrome…

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  Towel End, 19th century

  End crossed by two types of shrine forms (?) alternating in blue, green and pink silk silver thread with touches of brown and cream. Fret border in cream and silver…

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  Towel End, 19th century

  Broad lower towel end with a border of drawn work with animals confronting initials “M.I.D.” under coronet and with floral and bird frame; symmetrical flower motif on each end. Broad…

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  Towel End, 19th century

  Towel end with deep border at bottom of three flower heads in drawn work with fine embroidered foliage detail, in white linen thread. Initials “I.A.D.” in symmetrical leaf-framed cartouche above.…

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  Scenic Panel, The War of Independence, 1852–53

  The background of “Scenic America” is used for scenes of the American Revolution. At the left, background, is seen the natural bridge, Virginia; in foreground, British troups are retreating, firing…