Search Demo: Museum Collection

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  • Sarong (Indonesia), 1900–1950

    Sarong with horizontal repeat of large-scale curving floral spray (“buketan” motif) surrounded by birds and butterflies in black, red, and blue on undyed ground. Narrow black side borders with blue…

  • Fragment (Burma), early 19th century

    Figural groups from Burmese iconography, in close-set vertical repeat about 16″ high. Blue ground, right half textured with tiny white dots and left half with faint yellow bars suggesting architectural…

  • Tape (Burma), 1900–1957

    Geometrical ornament and inscription in the Pali language in red and cream. narrow saffron yellow edges or selvedges. Warp fringe (33cm) at one end.

  • Sarong (Indonesia), 1900–1957

    A panel of glazed cotton, resist-printed, probably by a batik method known as cap (tjap) printing (wax resist applied by means of blocks inlaid with copper strips). Two-thirds of the…

  • Sarong (Indonesia), 1900–1957

    A panel of glazed cotton, resist-printed, probably by a batik method known as cap (tjap) printing (wax resist applied by means of blocks inlaid with copper strips). Design is dark…

  • Sarong (Indonesia), 1900–1957

    A panel of glazed cotton, resist-printed, probably by a batik method known as cap (tjap) printing (wax resist applied by means of blocks inlaid with copper strips). Design is dark…

  • Textile (Thailand), ca. 1960

    Long hadwoven breath, warm burnt-orange, with thick yellow weft and fine magenta warp, giving changeable effect when crumpled. At one end, an inch-wide band in which fine blue weft replaces…

  • Panel (Thailand), mid-20th century

    Long brilliant cerise panel, handwoven. Fine magenta warp of light weight wild silk and thick, flossy weft of bright orange. silk is from worm of East Thailand which feeds on…

  • Sarong (Indonesia), 1900–1960

    Long, coarse cotton panel, probably a sarong, in rust, blue, and dark brown on cream ground. Two foliage borders followed by the head or ‘kepala’ of the piece with two…

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