Search Demo: Museum Collection

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  Sampler (USA), 1827

  Sampler embroidered in red, black and blue on a white ground, with the alphabet and inscription Susanna Meck 1827 at the top, and many small detached motifs including animals, birds,…

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  Sampler (England), 17th century

  Thirteen cross borders in cutwork with needlepoint stitches and embroidery in satin and curled stitches.

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  Curtain Panel (China), 19th century

  Allover floral design in polychrome on a natural-colored ground.

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  Curtain Panel, 18th–early 19th century

  Vertical curtain panel with four broad vertical bands; each filled with a single broad serpentine band in shaded blue with a small blaze in each scallop and with a straight…

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  Curtain Panel (France), 1800–1850

  Part of a white muslin curtain embroidered in white. Design has a repeating pattern of vases with flowers connected by garlands. Both edges scalloped.

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  Sampler (Morocco), 18th–19th century

  Square of undyed cotton partially filled with sections of borders and designs, some suggestive of Renaissance symmetrical stylized plant borders and some fantastic geometrical symmetrial floral repeats. In faded multicolored…

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  Embroidered Band (Taiwan), early 20th century

  Narrow geometrical border embroidered in red, white, yellow, orange, and green ramie cross-stitch on old black traders’ cotton

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  Embroidered Band (Taiwan), 19th–mid-20th century

  Broad chevron band embroidered in yellow, orange, and green on black traders’ cotton. Cross-stitch guard border.

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  Embroidered Band (Taiwan), 19th–mid-20th century

  “Old black traders’ cotton” worked in fine white, orange, yellow, green cross stitch, with geometrical band with stylized floral motives extending from it on lower edge.

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  Breast Plate (Taiwan), 1900–1955

  Diamond-shaped badge with allover continuous lozenge pattern of blue-green, cerise, and purple in weft floats on natural ramie warps. Divided into eight equal parts by rows of close-set traders’ buttons…