Search Demo: Museum Collection
Explore ElasticPress' search and faceting capabilities with the catalog of the Cooper-Hewitt Museum.
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Sampler (USA), 1827
Sampler embroidered in red, black and blue on a white ground, with the alphabet and inscription Susanna Meck 1827 at the top, and many small detached motifs including animals, birds,…
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Frieze, Somerset House, 1940
Design in classic style simulating architectural ornament and showing a horizontal band of curving reeded forms strung side by side on a rod, with leaf swags below enclosing half rosettes.…
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Frieze, Somerset House, 1940
Design in classic style simulating architectural ornament and showing a horizontal band of curving reeded forms strung side by side on a rod, with leaf swags below enclosing half rosettes.…
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Sampler (England), 17th century
Thirteen cross borders in cutwork with needlepoint stitches and embroidery in satin and curled stitches.
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Frieze (USA), 1885–89
Large bunches of pink carnations repeat horizontally above a continuous wave. Design richly laid with gold leaf. Floral bands at bottom. Graded cream and brown ground. Gold leaf.
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Pillow Cover (Italy), 16th century
Oblong pillow cover of heavy cream-colored linen embroidered in red and cream silk, ornamented on four sides with small tassels of cream linen with a few threads of red and…
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Pillow Cover, 17th century
Solidly worked multicolored pillow cover with a conventionalized fruit and flower border that encloses a scene from the Parable of the Prodigal Son; scene depicted is his return to his…
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Pillow Cover, 17th century
Solidly worked multicolored pillow cover with a conventionalized fruit and flower border that encloses a scene from the Parable of the Prodigal Son; scene depicted is the time of his…
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Pillow Cover (England), ca. 1570–73
Cushion cover representing the expulsion of the prodigal son. Predominant colors are blue, rose and tan.
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Frieze (USA), 1890–95
Imitates a flock paper. Scrollwork and clusters of roses. The scrollwork is silvered. Printed in silver, red and pink on graded cream ground.
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