Search Demo: Museum Collection

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  Cravat End (Italy), mid–late 16th century

  Large collar and pair of cuffs. Needle lace, Flat Point de Venise, in all-over branching floral pattern, connected by bride picotées. Portes throughout.

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  Cravat End (France), 1695–99

  Cravat end with many figures engaged in musical pursuits, including a woman playing the organetto or portative, a man playing the cello, a man playing the recorder or flute, and…

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  Cravat End (France), ca. 1695

  Needle lace cravat end with a delicate all-over floral design and figures, including a figure dressed as a warrior, wearing a helmet in form of a double-headed eagle, standing on…

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  Cravat End (Belgium), mid-18th century

  In the center of the cravat end is a figure of Minerva below a canopy within symmetric tulip garden setting of balustrades, finials entwined by floral garlands and standing on…

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  Cravat End (Italy), 1701–50

  Cravat end with a central heart-shaped motif surrounded by strapwork pattern of bands, floral and foliated forms.

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  Cravat End (France), early 18th century

  Symmetrical lace pattern with scrolling floral and foliage motifs and scalloped edges.

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  Cravat End (Belgium), early 18th century

  Cravat end of Brussels-style lace with a design of undulating, foliated pattern entwined and surrounded by symmetrically arranged floral and foliated forms.

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  Cravat End (Belgium), 1700–1750

  Brussels-style cravat with a central, urn-shaped motif composed and surrounded by symmetrically arranged floral and foliated forms.

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  Cravat End (France), early 18th century

  Cravat end with a central design of abstract foliated forms flanked by identical stylized representations of trees surrounded by an intricate pattern of volutes, urns, and rocaille decoration.

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  Cravat End (France), 1690–99

  An allover small scale branching pattern giving the appearance of coral branches.