Search Demo: Museum Collection
Explore ElasticPress' search and faceting capabilities with the catalog of the Cooper-Hewitt Museum.
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Chalice Cover (Spain), 17th century
Square, probably top of chalice cover; cloth of silver, with symmetrical design of stylized plant forms and jars at corners and sides, pointing toward center rosette. Coral beads form leaves…
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Chalice Cover (Italy), 16th–17th century
Faded purple ribbed silk ground embroidered in colored silk and metallic thread. Central design shows a cruciform composed of conventionalized flowerheads in profile and S-forms of foliage. Cover design of…
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Chalice Cover (Italy), early 17th century
Formerly a square chalice cover, now cut in half on the diagonal, in linen punto in aria needle lace. Showing the device of the Borghese Family, the Agnus Dei and…
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Sampler (Morocco), 18th–19th century
Square of undyed cotton partially filled with sections of borders and designs, some suggestive of Renaissance symmetrical stylized plant borders and some fantastic geometrical symmetrial floral repeats. In faded multicolored…
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Band (Morocco), 18th century
Natural color linen worked in red silk with the design reserved in the linen outlined in green silk. Details of decoration in green silk. Main design consists of a fountain…
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Border (Democratic Republic of the Congo), late 19th century
Long narrow band made from two shorter pieces stitched together. All natural raffia color, in a creamy tone. Three pattern areas of geometric interlacing of alternating bands of textured pile…
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Border (Democratic Republic of the Congo), late 19th century
Long band composed of three shorter pieces stitched together. All-over embroidery in irregularly interlaced pattern of bands striped in three shades of brown. One selvage present, other long edge cut…
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Border (Democratic Republic of the Congo), late 19th century
Natural, brown, and rust-red strips of plain woven raffia stitched together on long edges, finished with buttonhole embroidery and raffia pompoms.
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