Search Demo: Museum Collection

Explore ElasticPress' search and faceting capabilities with the catalog of the Cooper-Hewitt Museum.

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  • Chalice Cover (Spain), 17th century

    Square, probably top of chalice cover; cloth of silver, with symmetrical design of stylized plant forms and jars at corners and sides, pointing toward center rosette. Coral beads form leaves…

  • Chalice Cover (Italy), 16th–17th century

    Faded purple ribbed silk ground embroidered in colored silk and metallic thread. Central design shows a cruciform composed of conventionalized flowerheads in profile and S-forms of foliage. Cover design of…

  • Chalice Cover (Italy), early 17th century

    Formerly a square chalice cover, now cut in half on the diagonal, in linen punto in aria needle lace. Showing the device of the Borghese Family, the Agnus Dei and…

  • Valance (Germany), late 18th–early 19th century

    Valence with scalloped border in floral printed cotton with the edges bound in blue tape. The pattern has natural-size flowers and leaves in violet, blue, green, yellow, red, and brown…

  • Valance (England), ca. 1790

    Cotton printed with design of vertical stripes with alternating rows of flowering vines or scattered blooms.

  • Valance (Russia), 19th century

    Symmetrical design of horse drawn coach in profile on either side of tripartite domed building. Many incidental human and plant forms. White on white with squared mesh ground. Symmetrical vermicular…

  • Valance (Greece), 18th–19th century

    Wide valance of linen in two parts, joined horizontally by a narrow band of ribbon. Lower half is embroidered with horizontal rows of stylized leaves, almost square in form, alternately…

  • Valance (England), 18th century

    Long valance-shaped fragment of coarse cotton. Design is incomplete, but shows a large floral motif and foliage. Background is blue and the design is reserved in white with blue accents…

  • Border (Democratic Republic of the Congo), late 19th century

    Long narrow band made from two shorter pieces stitched together. All natural raffia color, in a creamy tone. Three pattern areas of geometric interlacing of alternating bands of textured pile…

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