Search Demo: Museum Collection
Explore ElasticPress' search and faceting capabilities with the catalog of the Cooper-Hewitt Museum.
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Altar Frontal (Italy), 16th century
Large altar frontal with insertion bands of punto in aria in a reticella style showing an allover pattern of curving lines. Matching border with very deep points.
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Altar Frontal (Italy), 16th–17th century
Heavy linen altar frontal with a wide border showing a large-scale design of blossoms or pomegranates within curving circular bands reserved in linen. Narrow border of simple strapwork in the…
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Altar Frontal (Italy), 17th century
Small altar frontal with five perpendicular strips of drawn work with a darned pattern of pomegranates and larger leaves in a vine design. Bottom and edge trimmed with narrow bobbin…
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Textile (Japan), 1900–1950
Dark gray satin ground closely crossed with silver linear wave conventions with medium-scale repeat (upright in first row, reversed in alternate row) of golden geese in flight with spread wings…
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Altar Frontal
Single row of large scale figures under stylized canopies. Some floral and decorative detail and inscription across the bottom.
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Amorino Plate, possibly ca. 1600
Plate with image of blindfolded Cupid at center. Rim decorated with grotesques. Yellow dash border.
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Border (Democratic Republic of the Congo), late 19th century
Long narrow band made from two shorter pieces stitched together. All natural raffia color, in a creamy tone. Three pattern areas of geometric interlacing of alternating bands of textured pile…
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Border (Democratic Republic of the Congo), late 19th century
Long band composed of three shorter pieces stitched together. All-over embroidery in irregularly interlaced pattern of bands striped in three shades of brown. One selvage present, other long edge cut…
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Border (Democratic Republic of the Congo), late 19th century
Natural, brown, and rust-red strips of plain woven raffia stitched together on long edges, finished with buttonhole embroidery and raffia pompoms.
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